The 26-watt amp has two 6L6G power tubes, three preamp tubes (one 12AY7 and two 12AX7s), and a 5U4G rectifier. These include: two channels labeled MIC and INST a volume control for each channel treble, bass, and presence controls and standby and on/off switches, along with a ground switch. The 1955 Fender Bandmaster shown here has features common to most narrow-panel models made between 19. The narrow-panel Bandmaster had three 10" speakers. The 1x15 Bandmaster lasted until mid 1955, when all Fender amps received a narrow-panel makeover (the previous incarnations had wider front panels, and before that, “TV” fronts). The Bandmaster’s biggest innovation was a new tone circuit with independent bass and treble controls, as opposed to the one-knob tone circuit of the earlier models.įender had to remove the bell cover from the middle 10" speaker to fit it in front of the tubes and chassis. It was Fender’s third 1x15, dual 6L6 amp, following the Pro and the Bassman. Other companies copied Fender’s constantly improving designs.Īs Fender’s 1950s product line grew to include electric guitars and electric basses, more amplifier models were added, with the Bandmaster debuting in 1953. Leo’s hard work and willingness to listen to feedback from working musicians made Fender amps top sellers by the ’50s. By 1946 he was manufacturing amplifiers and electric lap steels as the Fender Electric Instrument Co. He also had a Twin and a Bassman - I’m guessing it was a blonde, early ’60s - and he used the Gretsch guitar with the Twin and the Bassman on ‘ Won’t Get Fooled Again.In 1938 Leo Fender opened a shop specializing in radio and electronics repair. One is the Gretsch, and the other is Pete’s SG. You can hear two distinct guitar sounds on Who’s Next. Alan Rogan: “We still have the same setup that Pete used on Who’s Next: the orange Gretsch 6120 that Joe gave to Pete, a tweed Bandmaster with three 10s, and the powered Goldrich volume pedal - Goldrich being Manny Goldrich, from Manny’s in New York. It’s invariably listed among the greatest albums of the entire rock era, and it electrifies new generations of listeners to this day. Like being given an orange Gretsch Country Gentleman and an Edwards pedal by Joe Walsh, and being told exactly how to set up the amp to produce that amazing Neil Young noise, and using that sound on “ Won’t Get Fooled Again” and “ Bargain.” Excerpt from The Soul of Tone: Celebrating 60 Years of Fender Amps interview with Alan RoganĪ mighty roar of exhilarating music, the epic Who’s Next was released in the summer of 1971. I think the significant moments have actually had a lot to do with guitars, actual guitars. Excerpt from Guitar Player, October 1989 Do you have a favorite period in your career, where you feel you broke down what you regarded as guitaristic barriers? 2002, ’59 Bandmaster, with Hiwatt DR103W visible in the background. It’s the same chain, even the same guitar cable - an old Whirlwind. I’ve still got the amp and I often use it. CG: You recorded some incredible music with that Gretsch. It’s got to be just that combination of stuff. If I try to fuck with it and say, “Wouldn’t it be interesting if I took the Gretsch and put it through a Zoom pedal,” it doesn’t work. When I get those three things out and put them in a chain, it’s a sound from paradise. And I bought you a Fender Bandmaster amplifier with three 10s so the ohmage is crazy, and an Edwards pedal steel volume pedal.” I linked it all up, went “Ya-a-ang” and it was there. I know you don’t really get into them, but you should try this. I don’t know what to get you in return so I bought you a Gretsch Country Gentleman, like Neil Young uses. I remember when I gave Joe Walsh an ARP 2600. There are lots of other chains that produce great sounds. You plug it into the right old Fender amp and you get the sound. Excerpt from September 1993 Guitar Player Selected quotesĪll quotes and references are copyright their original owners and are included for reference only.
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